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리딩지수
Surveying the history of the building from the advent of industrialization to the cultural imperatives of the present moment, this collection brings together international art and architectural historians.
Andrew Ballantyne is Professor of Architecture at the University of Newcastle upon Tyne. He is the author of Architecture, Landscape and Liberty: Richard Payne Knight and the Picturesque (1997), What is Architecture? (2002), and Architecture: A Very Short Introduction (2002).
Architectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment. Presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances. Provides a view of architectural history as a part of a continuing dialogue between aesthetic criteria and social and cultural imperatives. Part of the New Interventions in Art History Series, which is published in conjunction with the Association of Art Historians.
Architectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment. Presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances. Provides a view of architectural history as a part of a continuing dialogue between aesthetic criteria and social and cultural imperatives. Part of the New Interventions in Art History Series, which is published in conjunction with the Association of Art Historians.
Architectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment. Presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances. Provides a view of architectural history as a part of a continuing dialogue between aesthetic criteria and social and cultural imperatives. Part of the New Interventions in Art History Series, which is published in conjunction with the Association of Art Historians.
Architectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. The collection of essays brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment from 1851 to the present time, showing how buildings and our responses to them are embedded in the cultural process and the ethics of production. This volume presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances. In doing so, Architectures: Modernism and After provides a view of architectural history as part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.
"This collection of stimulating essays delights in the variety and diversity of modern architecture through differing processes of story telling and the analysis of facts. This is a book for the reader able to embrace plurality. Those who seek a singular vision will need to look elsewhere." Robert Tavernor, University of Bath"Wide-ranging and original, this collection offers fresh new perspectives on architecture and its histories within the expanded arena of cultural studies. It suggests the many roles that buildings can play in the conscious and unconscious lives of human beings." Alice Friedman, Wellesley College
This collection of stimulating essays delights in the variety and diversity of modern architecture through differing processes of story telling and the analysis of facts. This is a book for the reader able to embrace plurality. Those who seek a singular vision will need to look elsewhere." Robert Tavernor, University of BathWide-ranging and original, this collection offers fresh new perspectives on architecture and its histories within the expanded arena of cultural studies. It suggests the many roles that buildings can play in the conscious and unconscious lives of human beings." Alice Friedman, Wellesley College
"This collection of stimulating essays delights in the variety and diversity of modern architecture through differing processes of story telling and the analysis of facts. This is a book for the reader able to embrace plurality. Those who seek a singular vision will need to look elsewhere." Robert Tavernor, University of Bath "Wide-ranging and original, this collection offers fresh new perspectives on architecture and its histories within the expanded arena of cultural studies. It suggests the many roles that buildings can play in the conscious and unconscious lives of human beings." Alice Friedman, Wellesley College
Architectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. The collection of essays brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment from 1851 to the present time, showing how buildings and our responses to them are embedded in the cultural process and the ethics of production.This volume presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances. In doing so, Architectures: Modernism and After provides a view of architectural history as part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.
rchitectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. The collection of essays brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment from 1851 to the present time, showing how buildings and our responses to them are embedded in the cultural process and the ethics of production.his volume presents crucial"moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances. In doing so, Architectures: Modernism and After provides a view of architectural history as part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.
eries Editor's Prefaceotes on Contributorsntroduction: Architectures in the Plural: Andrew Ballantyne. An Avant-garde Academy: Simon Sadler (University of California, Davis). Aalto and the Tutelary Goddesses: Sarah Menin (University of Newcastle). Becoming-skyscraper: Ayn Rand's Architect: Gerard Loughlin (University of Newcastle). Steps Towards a Sustainable Architecture: Brenda and Robert Vale (University of Auckland, New Zealand). Gordon Matta-Clark's Building Dissections: Stephen Walker (University of Sheffield). Territoriality and Identity at RAF Menwith Hill: David Wood (University of Newcastle). Domestic Space Transformed, 1850-2000: Elizabeth Cromley (Northeastern University). English Townscape as Cultural and Symbolic Capital: Andrew Law (University of Newcastle)ibliographyndex
List of Illustrations.Notes on Contributors.Series Editor's Preface.Preface.Introduction: Architectures in the Plural: Andrew Ballantyne.1. An Avant-garde Academy: Simon Sadler (University of California, Davis).2. Aalto and the Tutelary Goddesses: Sarah Menin (University of Newcastle).3. Becoming-skyscraper: Ayn Rand's Architect: Gerard Loughlin (University of Newcastle).4. Steps Towards a Sustainable Architecture: Brenda and Robert Vale (University of Auckland, New Zealand).5. Gordon Matta-Clark's Building Dissections: Stephen Walker (University of Sheffield).6. Territoriality and Identity at RAF Menwith Hill: David Wood (University of Newcastle).7. Domestic Space Transformed, 1850-2000: Elizabeth Cromley (Northeastern University).8. English Townscape as Cultural and Symbolic Capital: Andrew Law (University of Newcastle).Bibliography.Index
List of IllustrationsNotes on ContributorsSeries Editor's PrefacePrefaceIntroduction: Architectures in the Plural: Andrew Ballantyne1. An Avant-garde Academy: Simon Sadler (University of California, Davis)2. Aalto and the Tutelary Goddesses: Sarah Menin (University of Newcastle)3. Becoming-skyscraper: Ayn Rand's Architect: Gerard Loughlin (University of Newcastle)4. Steps Towards a Sustainable Architecture: Brenda and Robert Vale (University of Auckland, New Zealand)5. Gordon Matta-Clark's Building Dissections: Stephen Walker (University of Sheffield)6. Territoriality and Identity at RAF Menwith Hill: David Wood (University of Newcastle)7. Domestic Space Transformed, 1850-2000: Elizabeth Cromley (Northeastern University)8. English Townscape as Cultural and Symbolic Capital: Andrew Law (University of Newcastle)BibliographyIndex
Series Editor 's PrefaceNotes on ContributorsIntroduction: Architectures in the Plural: Andrew Ballantyne1. An Avant-garde Academy: Simon Sadler (University of California, Davis)2. Aalto and the Tutelary Goddesses: Sarah Menin (University of Newcastle)3. Becoming-skyscraper: Ayn Rand 's Architect: Gerard Loughlin (University of Newcastle)4. Steps Towards a Sustainable Architecture: Brenda and Robert Vale (University of Auckland, New Zealand)5. Gordon Matta-Clark 's Building Dissections: Stephen Walker (University of Sheffield)6. Territoriality and Identity at RAF Menwith Hill: David Wood (University of Newcastle)7. Domestic Space Transformed, 1850-2000: Elizabeth Cromley (Northeastern University)8. English Townscape as Cultural and Symbolic Capital: Andrew Law (University of Newcastle)BibliographyIndex
Series Editor & 's PrefaceNotes on ContributorsIntroduction: Architectures in the Plural: Andrew Ballantyne1. An Avant-garde Academy: Simon Sadler (University of California, Davis)2. Aalto and the Tutelary Goddesses: Sarah Menin (University of Newcastle)3. Becoming-skyscraper: Ayn Rand & 's Architect: Gerard Loughlin (University of Newcastle)4. Steps Towards a Sustainable Architecture: Brenda and Robert Vale (University of Auckland, New Zealand)5. Gordon Matta-Clark & 's Building Dissections: Stephen Walker (University of Sheffield)6. Territoriality and Identity at RAF Menwith Hill: David Wood (University of Newcastle)7. Domestic Space Transformed, 1850-2000: Elizabeth Cromley (Northeastern University)8. English Townscape as Cultural and Symbolic Capital: Andrew Law (University of Newcastle)BibliographyIndex
Series Editor's Preface Notes on Contributors Introduction: Architectures in the Plural: Andrew Ballantyne 1. An Avant-garde Academy: Simon Sadler (University of California, Davis) 2. Aalto and the Tutelary Goddesses: Sarah Menin (University of Newcastle) 3. Becoming-skyscraper: Ayn Rand's Architect: Gerard Loughlin (University of Newcastle) 4. Steps Towards a Sustainable Architecture: Brenda and Robert Vale (University of Auckland, New Zealand) 5. Gordon Matta-Clark's Building Dissections: Stephen Walker (University of Sheffield) 6. Territoriality and Identity at RAF Menwith Hill: David Wood (University of Newcastle) 7. Domestic Space Transformed, 1850-2000: Elizabeth Cromley (Northeastern University) 8. English Townscape as Cultural and Symbolic Capital: Andrew Law (University of Newcastle) Bibliography Index
Series Editor's PrefaceNotes on ContributorsIntroduction: Architectures in the Plural: Andrew Ballantyne1. An Avant-garde Academy: Simon Sadler (University of California, Davis)2. Aalto and the Tutelary Goddesses: Sarah Menin (University of Newcastle)3. Becoming-skyscraper: Ayn Rand's Architect: Gerard Loughlin (University of Newcastle)4. Steps Towards a Sustainable Architecture: Brenda and Robert Vale (University of Auckland, New Zealand)5. Gordon Matta-Clark's Building Dissections: Stephen Walker (University of Sheffield)6. Territoriality and Identity at RAF Menwith Hill: David Wood (University of Newcastle)7. Domestic Space Transformed, 1850-2000: Elizabeth Cromley (Northeastern University)8. English Townscape as Cultural and Symbolic Capital: Andrew Law (University of Newcastle)BibliographyIndex
Series Editor's PrefaceNotes on ContributorsIntroduction: Architectures in the Plural: Andrew Ballantyne1. An Avant-garde Academy: Simon Sadler (University of California, Davis)2. Aalto and the Tutelary Goddesses: Sarah Menin (University of Newcastle)3. Becoming-skyscraper: Ayn Rand's Architect: Gerard Loughlin (University of Newcastle)4. Steps Towards a Sustainable Architecture: Brenda and Robert Vale (University of Auckland, New Zealand)5. Gordon Matta-Clark's Building Dissections: Stephen Walker (University of Sheffield)6. Territoriality and Identity at RAF Menwith Hill: David Wood (University of Newcastle)7. Domestic Space Transformed, 1850-2000: Elizabeth Cromley (Northeastern University)8. English Townscape as Cultural and Symbolic Capital: Andrew Law (University of Newcastle)BibliographyIndex.
This collection of original, cutting-edge essays surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Architectures brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment from 1851 to the present, showing how buildings and our responses to them are embedded in cultural process and ethics of production. Architectures presents crucial "moments" in the history of the field, when the architecture of the past is made to respond to new and changing cultural circumstances. In doing so, the collection provides a view of architectural history as part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.
"This collection of stimulating essays delights in the variety and diversity of modern architecture through differing processes of story telling and the analysis of facts. This is a book for the reader able to embrace plurality. Those who seek a singular vision will need to look elsewhere." Robert Tavernor, University of Bath "Wide-ranging and original, this collection offers fresh new perspectives on architecture and its histories within the expanded arena of cultural studies. It suggests the many roles that buildings can play in the conscious and unconscious lives of human beings." Alice Friedman, Wellesley College
작가정보
저자(글) Ballantyne, Andrew
목차
List of Illustrations p. vii Notes on Contributors p. viii Series Editor's Preface p. xi Preface p. xiii Introduction: Architectures in the Plural p. 1 An Avant-garde Academy p. 33 Aalto and the Tutelary Goddesses p. 57 Becoming-skyscraper: Ayn Rand's Architect p. 88 Steps Toward a Sustainable Architecture p. 101 Gordon Matta-Clark's Building Dissections p. 118 Territoriality and Identity at RAF Menwith Hill p. 142 Domestic Space Transformed, 1850-2000 p. 163 English Townscape as Cultural and Symbolic Capital p. 202 Bibliography p. 227 Index p. 240 Table of Contents provided by Ingram. All Rights Reserved.
기본정보
ISBN | 9780631229445 ( 0631229442 ) |
---|---|
발행(출시)일자 | 2003년 11월 07일 |
쪽수 | 255쪽 |
크기 |
155 * 229
* 21
mm
/ 404 g
|
총권수 | 1권 |
언어 | 영어 |
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