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The #1 New York Times bestseller. From the legendary music producer, a master at helping people connect with the wellsprings of their creativity, comes a beautifully crafted book many years in the making that offers that same deep wisdom to all of us. "A gorgeous and inspiring work of art on creation, creativity, the work of the artist. It will gladden the hearts of writers and artists everywhere, and get them working again with a new sense of meaning and direction. A stunning accomplishment.” —Anne Lamott “I set out to write a book about what to do to make a great work of art. Instead, it revealed itself to be a book on how to be.” —Rick Rubin Many famed music producers are known for a particular sound that has its day. Rick Rubin is known for something else: creating a space where artists of all different genres and traditions can home in on who they really are and what they really offer. He has made a practice of helping people transcend their self-imposed expectations in order to reconnect with a state of innocence from which the surprising becomes inevitable. Over the years, as he has thought deeply about where creativity comes from and where it doesn’t, he has learned that being an artist isn’t about your specific output, it’s about your relationship to the world. Creativity has a place in everyone’s life, and everyone can make that place larger. In fact, there are few more important responsibilities. The Creative Act is a beautiful and generous course of study that illuminates the path of the artist as a road we all can follow. It distills the wisdom gleaned from a lifetime’s work into a luminous reading experience that puts the power to create moments—and lifetimes—of exhilaration and transcendence within closer reach for all of us.

Alfred's Basic Adult All-in-One Course is designed for use with a piano instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, and technique in a convenient, "all-in-one" format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson's concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles. Titles: Alouette * Alpine Melody * Amazing Grace * Au Claire de la Lune * Aunt Rhody * Auld Lang Syne * Aura Lee * The Bandleader * Beautiful Brown Eyes * Blow the Man Down! * Blues for Wynton Marsalis * Brother John * Caf? Vienna * The Can-Can * Chasing the Blues Away * Chiapanecas * Cockles and Mussels * The Cuckoo * Day is Done * Dueling Harmonics * The Entertainer * A Friend Like You * Go Down, Moses * Good King Wenceslas * Good Morning to You! * Good People * Got Those Blues * Greensleeves * Happy Birthday to You! * Harmonica Rock * Harp Song * Here's a Happy Song! * He's Got the Whole World in His Hands * I'm Gonna Lay My Burden Down * Jericho * Jingle Bells * Joy to the World! * Kum-ba-yah! * Largo (Dvorak) * Lavender's Blue * Lightly Row * Little Brown Jug * Liza Jane * London Bridge * Lone Star Waltz * Love Somebody * Lullaby * The Marine's Hymn * Mary Ann * Merrily We Roll Along * Mexican Hat Dance * Michael, Row the Boat Ashore * Money Can't Buy Everything * My Fifth * Ode to Joy * On Top of Old Smoky * O Sole Mio * Raisins and Almonds * Rock Along * Rockets * Rockin' Intervals * Rock It Away! * Sc

This book contains nine pieces from ABRSM's Grade 2 Piano syllabus for 2025 & 2026, three pieces chosen from each of Lists A, B and C - ideal for both Practical and Performance Grade exams.

Discovering Music Theory is a suite of workbooks and answer books that offers all-round preparation for the updated ABRSM Music Theory exams from 2020, including the new online papers. This full-colour workbook will equip students of all ages with the skills, knowledge and understanding required for the ABRSM Grade 5 Music Theory exam.

Discovering Music Theory is a suite of workbooks and answer books that offers all-round preparation for the updated ABRSM Music Theory exams from 2020, including the new online papers. This full-colour workbook will equip students of all ages with the skills, knowledge and understanding required for the ABRSM Grade 4 Music Theory exam.

Discovering Music Theory is a suite of workbooks and answer books that offers all-round preparation for the updated ABRSM Music Theory exams from 2020, including the new online papers. This full-colour workbook will equip students of all ages with the skills, knowledge and understanding required for the ABRSM Grade 5 Music Theory exam.

Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent.

Learn the basics of music theory in this comprehensive and easy-to-understand guide.

Listen to David Hesmondhalgh discuss the arguments at the core of 'Why Music Matters' with Laurie Taylor on BBC Radio 4's Thinking Allowed here.

Simon Reynoldsis a music critic whose writing has appeared inThe New York Times, The Village Voice, Spin, Rolling Stone, andArtforum.He is the author of five previous books, includingRip It Up and Start Again. We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups ... But what happens when we run out of past? Are we heading toward a sort of cultural-ecological catastrophe, where the archival stream of pop history has been exhausted? Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own? "Amazing." Bruce Sterling, Wired.com "Looking back over the last 25 years you'd be hard pressed to name a music journalist more adept at tracking and defining the zeitgeist." Dave Haslam, The Guardian "Simon Reynolds, one of our most thoughtful music writers, poses a stark question for anyone who cares about the future of pop . . . A devastating critique of the way music is now consumed." Patrick Sawer, The Daily Telegraph "Bracingly sharp. As a work of contemporary historiography, a thick description of the transformations in our relationship to timeas well as to place Retromaniadeserves to be very widely read." Sukhdev Sandhu, The Observer(London) "A provocative and original inquiry into the past and future of popular music." Booklist(starred review) "[A] mix of canny erudition, critical theory, stylish prose, and vibrant evocations." Publishers Weekly "Importantand alarmingreading for pop-music aficionados." Kirkus Reviews "A hugely interesting and useful debate starter." NME "If anyone can make sense of pop music's steady mutation from what George Melly noted as its 'worship of the present,' to its current status as a living heritage industry where past, present and what the author calls a nostalgia for a lost future coexist, then you'd have to trust Reynolds. He's a top-table critic whose keen ear is matched by a sharp eye for cultural context . . . An erudite study of pop's eternal lock groove." Mark Paytress, Mojo "The world's finest living music writer." Christopher Mosley, Dmagazine " Retromaniais a terrific book. Reynolds brings profound knowledge and oceanic depth and width to his argument, tracing his theme from trad jazz through the '70s rock and roll boom to the hipsterism of today, via the hyper-connectedness and infinite jukebox of the web. Unlike many of the pop writers who inspired him as a youth, he deploys his high intelligence and vast range of reference lucidly, to argue and illuminate, not dazzle or alienate." Steve Yates, The Word "Compulsively readable." FACTmagazine "If I had to choose just one commentator to guide me through the last quarter-century of popular (and not so popular) music, it would have to beon the basis of depth of knowledge, range of reference, soundness of judgment, and fluency of styleSimon Reynolds." Geoff Dyer, author of Jeff in Venice, Death in Varanasi "If pop music is all about right now, what happens when the past refuses to go quietly? The ever-brilliant Simon Reynolds investigates the cult of retro, the temptations of nostalgia, and the future of music cultureall with a detective's cold eye and a fan's hot heart." Rob Sheffield, author of Love Is a Mixtape "One of my favorite music writers wrestles one of my favorite musical paradoxes: What's up with the fetish for the Old in pop's Land of the Eternal New? Unpacking how YouTube makes history more lateral than linear, pondering the remarkable endurance of England's Northern Soul scene, or wondering if record collecting is indeed a distinctly masculine sickness, Reynolds's deep inquiries lead to a bigger question: Does obsessive engagement with the past make it harder to invent the future?" Will Hermes, author of Love Goes to Buildings on Fire "The crowning achievement of Retromaniais that it in no way contributes to the cultural malaise it critiques. You may struggle with the suspicion that you've seen it all before and heard it all beforebut you've never read anything that approaches the idea of retro from as many entertaining and incisive angles. The present may be collapsing into the past, but this is a book for the ages." Greg Milner, author of Perfecting Sound Forever "If I had to choose just one commentator to guide me through the last quarter-century of popular (and not so popular) music, it would have to be--on the basis of knowledge, range of reference, soundness of judgment, and fluency of style--Simon Reynolds." --Geoff Dyer, author ofJeff in Venice, Death in Varanasi "If I had to choose just one commentator to guide me through the last quarter-century of popular (and not so popular) music, it would have to beon the basis of knowledge, range of reference, soundness of judgment, and fluency of styleSimon Reynolds." GEOFF DYER, author of Jeff in Venice, Death in Varanasi "If I had to choose just one commentator to guide me through the last quarter-century of popular (and not so popular) music, it would have to beon the basis of knowledge, range of reference, soundness of judgment, and fluency of styleSimon Reynolds." GEOFF DYER, author of Jeff in Venice, Death in Varanasi "If pop music is all about right now, what happens when the past refuses to go quietly? The ever-brilliant Simon Reynolds investigates the cult of retro, the temptations of nostalgia, and the future of music cultureall with a detective's cold eye and a fan's hot heart." ROB SHEFFIELD, author of Love Is a Mix Tape "One of my favorite music writers wrestles one of my favorite musical paradoxes: What's up with the fetish for the Old in pop's Land of the Eternal New? Unpacking how YouTube makes history more lateral than linear, pondering the remarkable endurance of England's Northern Soul scene, or wondering if record collecting is indeed a distinctly masculine sickness, Reynolds's deep inquiries lead to a bigger question: Does obsessive engagement with the past make it harder to invent the future?" WILL HERMES, author of Love Goes to Buildings on Fire "The crowning achievement of Retromaniais that it in no way contributes to the cultural malaise it critiques. You may struggle with the suspicion that you've seen it all before and heard it all beforebut you've never read anything that approaches the idea of retro from as many entertaining and incisive angles. The present may be collapsing into the past, but this is a book for the ages." GREG MILNER, author of Perfecting Sound Forever

The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than that all of the notorious errors have been fixed: the covers and typeface look the same, the song list is nearly identical, and the price for our edition is even cheaper than the original! Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time! Includes 400 songs: All Blues * Au Privave * Autumn Leaves * Black Orpheus * Bluesette * Body and Soul * Bright Size Life * Con Alma * Dolphin Dance * Don't Get Around Much Anymore * Easy Living * Epistrophy * Falling in Love with Love * Footprints * Four on Six * Giant Steps * Have You Met Miss Jones? * How High the Moon ? I'll Remember April ? Impressions ? Lullaby of Birdland ? Misty * My Funny Valentine * Oleo * Red Clay * Satin Doll * Sidewinder * Stella by Starlight * Take Five * There Is No Greater Love * Wave * and hundreds more!