영화/TV | 서양도서 - 교보문고

Celebrate the captivating worlds of Japanese animation giant Studio Ghibli with volume 2 of the bestselling 100-collectible-postcards series. This extensive collection showcases final frames from Studio Ghibli’s feature-length films, from Nausicaä of the Valley of the Wind(1984) to The Boy and the Heron(2023). Housed in a luxe keepsake box, these full-color, gorgeously detailed images of beloved characters and iconic scenes are perfect for keeping or sending―and are sure to delight Studio Ghibli and animation fans of every age. © 1984 Studio Ghibli - H; © 1986 Studio Ghibli; © 1988 Studio Ghibli; © 1989 Eiko Kadono - Studio Ghibli - N; © 1991 Hotaru Okamoto - Yuko Tone - Studio Ghibli - NH; © 1992 Studio Ghibli - NN; © 1994 Hatake Jimusho - Studio Ghibli - NH; © 1995 Aoi Hiiragi / Shueisha - Studio Ghibli - NH; © 1997 Studio Ghibli - ND; © 1999 Hisaichi Ishii - Hatake Jimusho - Studio Ghibli - NHD; © 2001 Studio Ghibli - NDDTM; © 2002 Nekonote-Do - Studio Ghibli - NDHMT; © 2004 Studio Ghibli - NDDMT; © 2006 Studio Ghibli - NDHDMT; © 2008 Studio Ghibli - NDHDMT; © 2010 Studio Ghibli - NDHDMTW; © 2011 Chizuru Takahashi - Tetsuro Sayama - Studio Ghibli - NDHDMT; © 2013 Studio Ghibli - NDHDMTK; © 2013 Hatake Jimusho - Studio Ghibli - NDHDMTK; © 2014 Studio Ghibli - NDHDMTK; © 2020 NHK, NEP, Studio Ghibli; © 2023 Studio Ghibli LUXE & COLLECTIBLE PACKAGE: This postcard set includes 100 different full-color images printed on quality cardstock, housed in a sturdy keepsake box with a lifting ribbon. Cards feature a range of key scenes and characters from the Studio’s feature-length films through 2023. GREAT GIFT: Part of an officially licensed line with Japanese animation giant Studio Ghibli, these cards make a great gift or self-purchase for creatives, animation enthusiasts, collectors, and fans of Japanese art, stationery, and pop culture. Fans of Hayao Miyazaki and Studio Ghibli will love this unique collection of postcards, which are great to send to friends and are deluxe enough for any collector to keep and display. MUST-HAVE COMPLEMENT TO VOLUME 1: This new edition includes a different selection of final frames from the films also included in Volume 1―plus all-new final frames from the latest two films from the Studio, Earwig and the Witch (2021) and The Boy and the Heron (2023). BELOVED STUDIO WITH MASSIVE FAN BASE WORLDWIDE: Miyazaki is often called the "Walt Disney of Japan." Six of Studio Ghibli's films received Academy Award nominations in the United States. The Ghibli Museum and Ghibli Park are popular destinations in Japan. PERFECT FOR: Miyazaki and Studio Ghibli fans of all ages; animation enthusiasts and collectors; artists and designers; fans of Japanese art, stationery, and pop culture; anyone looking for collectible, one-of-a-kind stationery.

The twelfth book in the Screenplay Collection, for Academy Award-winner Everything Everywhere All at Once, includes an introduction by Lilly Wachowski, an essay by multiversal philosopher Mary-Jane Rubenstein, a couples therapy session with Dr. Orna Guralnik, alternate introductions to the film, and handwritten scene annotations.

Enter the enchanting world of legendary director Hayao Miyazaki's My Neighbor Totoro. Including 30 different hand-drawn final frames from the film, this collection of postcards (to keep or send) celebrates the beautiful art and story of Totoro. A true delight for Studio Ghibli and animation fans! • Set of 30 postcards of illustration artwork from the Japanese movie My Neighbor Totoro • From one of the most popular animated films from Japan ever made Fans of The Art of My Neighbor Totoro and The Art of Spirited Awaywill love these postcards. This postcard set is for: • Miyazaki and Studio Ghibli fans of all ages • Fans of Japanese art and anime • Animation enthusiasts • My Neighbor Totoro movie fans My Neighbor Totoro (Tonari no Totoro) © 1988 Studio Ghibli

The Hereditary Screenplay Book features a foreword by Bong Joon-ho, an essay by writer Leslie Jamison, and Ari Aster’s meticulous shot list from the family seance scene.

A richly illustrated journey through the extraordinary cinematic worlds of beloved filmmaker Hayao Miyazaki A New York Magazine 2021 holiday gift guide pick For over four decades, Hayao Miyazaki has been enchanting audiences of all ages. His animation, often featuring children navigating unfamiliar and challenging worlds, offer timeless explorations of youth and what it means to grow up. Celebrated and admired around the globe for his artistic vision, craftsmanship and deeply humanistic values, Miyazaki has influenced generations of artists. The universal appeal of his evocative natural settings and complex characters, many among them strong girls and young women, cuts across cultural boundaries. This book is published on the occasion of the 2021 inaugural exhibition at the Academy Museum of Motion Pictures in Los Angeles, in collaboration with Studio Ghibli in Tokyo. It accompanies the first ever retrospective dedicated to the legendary filmmaker in North America and introduces hundreds of original production materials, including artworks never before seen outside of Studio Ghibli’s archives. Concept sketches, character designs, storyboards, layouts, backgrounds and production cels from his early career through all 11 of his feature films, including My Neighbor Totoro (1988), Kiki’s Delivery Service (1989), Princess Mononoke (1997), Spirited Away (2001) and Howl’s Moving Castle (2004), offer insight into Miyazaki’s creative process and masterful animation techniques.

A Harry Potter fan's dream come true! Information on every spell ever cast or recorded in the world of Harry Potter!

In this Very Short Introduction Geoffrey Nowell-Smith defines the field of cinema, and explores its fascinating history within the cultural and aesthetic sphere. Considering the influences of the other art forms from which it arose, he looks at how technological advances have opened up new horizons for the cinema industry.

Neil Postman (19312003) was chairman of the Department of Communication Arts at New York University and founder of its Media Ecology program. He wrote more than twenty books. Television has conditioned us to tolerate visually entertaining material measured out in spoonfuls of time, to the detriment of rational public discourse and reasoned public affairs. In this eloquent, persuasive book, Neil Postman alerts us to the real and present dangers of this state of affairs, and offers compelling suggestions as to how to withstand the media onslaught. Before we hand over politics, education, religion, and journalism to the show business demands of the television age, we must recognize the ways in which the media shape our lives and the ways we can, in turn, shape them to serve out highest goals. Originally published in 1985, Neil Postman's groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media-from the Internet to cell phones to DVDs-it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining controlof our media, so that they can serve our highest goals. Television has habituated us to visual entertainment measured out in spoonfuls of time. But what happens when we come to expect the same things from our politics and public discourse? What happens to journalism, education, and religion when they too become forms of show business? Twenty years ago, Neil Postman's lively polemic was the first book to consider the way that electronic media were reshaping our culture. Now, with TV joined by the Internet, cell phones, cable, and DVDs, Amusing Ourselves to Death carries even greater significance. Elegant, incisive, and terrifically readable, it's a compelling take on our addiction to entertainment. Book jacket. A brilliant powerful and important book....This is a brutal indictment Postman has laid down and, so far as I can see, an irrefutable one. --Jonathan Yardley, Washington Post Book World